1 | Mary Nkechi Okadigwe and Amany El-Sawy. (2021, ) Resisting Shame And The Male Gaze: Humour Evocations In The Acts Of Noha Kato And Real Warri Pikin |
2 | Okadigwe, Nkechi Mary, and Ebekue, Onyeka Emmanuel. (2019, ) Alex Asigbo’s Revolutionary Impulse In Once Upon A School And The Reign Of Paschal Amusu Society of Nigeria Theatre Artists |
3 | Okadigwe, Nkechi Mary, and Ebekue, Onyeka Emmanuel. (2019, ) Alex Asigbo’s Revolutionary Impulse In Once Upon A School And The Reign Of Paschal Amusu Society of Nigeria Theatre Artists |
4 | Okadigwe, Nkechi. (2015, ) Women As Change-Agents In Tracie Utoh-Ezeajugh’s Olamma And Everyday Is For The Thief… Kraft Books Ltd., pp 200-210. |
5 | Okadigwe, Mary N., and Utoh-Ezeajugh, Tracie. (2011, ) Cultural Sustenance Through Film Costume And Make-Up As Indicators Of Sustainable Development: An Assessment Of Moonlight Girl And Goddess Of The Sun Faculty of Arts,NAU, pp 702-712 |
| Journal Articles |
1 | Mary Nkechi Okadigwe. (2024, February), "SEMIOTICS AND THE LANGUAGE OF COSTUMES IN NIGERIAN VIDEO FILMS: A STUDY OF CRY OF A WIDOW AND ADAEZE", INTERDISCIPLINARY JOURNAL OF AFRICAN & ASIAN STUDIES (IJAAS) VOL.10 NO. 1, Vol. 10, (Issue 1), pp 1-16 |
2 | Mary Nkechi Okadigwe, Uche Ajiwe. (2024, May), "NOLLYWOOD AND NATIONAL HISTORY: A STUDY OF NOLLYWOOD HISTORIC FILM COSTUMES AND THEIR IMPACT ON COLLECTIVE MEMORY AND NATION-BUILDING", ESTAGA: JOURNAL OF INTERDISCIPLINARY PERSPECTIVES (EJIP), Vol. 1, (Issue 2), pp 130-145 |
3 | Mary Nkechi Okadigwe & Okeke, Ikedinma N.. (2023, March), "“Exploring Trends in Music Enterpreneurship for Human Capacity Development in Nigeria: the Inherent Risks, and Management Strategies”", UJAH, Vol. 23, (Issue 2), pp 19-51 |
4 | Mary Nkechi Okadigwe. (2023, October), "Blending Eclecticism and Specificity: The Art of Nollywood Epic Film Costumes", UNIZIK Journal of Arts and Humanities, UJAH, Vol. 24, (Issue 1), pp 1-22 |
5 | Mary Nkechi Okadigwe. (2021, March), "Modelling Ritual and Performance for Political Change: An Examination of Igu-Aro Ndi-Umueri in Anambra State", UJAH, Vol. 22, (Issue 2), pp 108-126 |
6 | Mary Nkechi Okadigwe. (2021, October), "ANDROCENTRICISM IN IGBO FEMALE RITES OF PASSAGE: AN EXAMPLE OF THE INE-EZI OF THE ANAM OF ANAMBRA STATE, SOUTHEAST, NIGERIA", PREORC JOURNAL OF GENDER AND SEXUALITY STUDIES, Vol. 2, pp 1-26 |
7 | Mary Nkechi Okadigwe. (2019, ), "ASSERTING THE DOMINANCE OF IGBO CULTURAL MOTIFS IN NOLLYWOOD COSTUMES: AN ANALYSIS OF SELECT NOLLYWOOD FILMS", Unknown Journal or Publisher |
8 | Okadigwe, Mary N.,and Ebekue, Emmanuel O.. (2018, ), "Surviving Economic Recession Through The Production Of Internet Comic Skits: The Case Of Okoi Siphon And David Igwe", Society of Nigeria Theatre Artists, Vol. 18, (Issue 2), pp 105-114 |
9 | Mary Nkechi Okadigwe. (2017, ), "Professionalism And Quackery In Costuming And Make-up For Nollywood Films: AStudy Of Royal Insult And My Loving Heart", Unknown Journal or Publisher |
10 | Mary Nkechi Okadigwe. (2017, ), "UNEARTHING COMMON UNCONSCIOUS THROUGH DRAMA: AN ARCHETYPAL READING OF TRACIE CHIMA UTOH’S COULDRON OF DEATH", Unknown Journal or Publisher |
11 | Mary Nkechi Okadigwe. (2016, June), "GENDER EQUALITY AND THE NEED FOR AN EGALITARIAN SOCIETY: A STUDY OF TRACIE-UTOH'S OUR WIVES HAVE GONE MAD AGAIN AND J. P. CLARK'S THE WIVES REVOLT", New Frontiers: A Journal in the Humanities, Vol. 1, (Issue 1), pp 153-165 |
12 | Okadigwe, Mary Nkechi. (2016, June), "Gender Equality And The Need For An Egalitarian Society: A Study Of Tracie Utoh’s Our Wives Have Gone Mad Again And J.P. Clark’s The Wives Revolt", Sevhage Publishers, Vol. 1, pp 153-165 |
13 | Okadigwe, Mary Nkechi. (2016, ), "Semiotic Reading Of Costumes In Nigerian Video Films: African Bride As A Paradigm", Creative Artist: A Journal of Theatre and Media Studies, Vol. 10, (Issue 1), pp 82-108 |
14 | Obadiegwu, Cyprian C., and Okadigwe, Nkechi Mary. (2014, ), "Ethnic Identities Through Costuming And The Future Of The Nigerian Film Industry: A Study Of Moonlight Girl By Nonso Okonkwo And Goddess Of The Sun By Iyke Odife", AMA: Journal of Theatre and Cultural Studies., Vol. 9, (Issue 1), pp 28-42 |
| Conference Papers |