1 | Mary Nkechi Okadigwe. (2025, May), "Between exclusion and escape: necropolitics, biopolitics, and queer narratives in Nollywood fi lms", African Identities, pp 1-19 |
2 | Mary Nkechi Okadigwe. (2025, April), "Queering Nollywood: Perspectives on same-sex relations in Nigerian filmmaking", Journal of African Cinemas, pp 1-16 |
3 | Mary Nkechi Okadigwe. (2024, February), "SEMIOTICS AND THE LANGUAGE OF COSTUMES IN NIGERIAN VIDEO FILMS: A STUDY OF CRY OF A WIDOW AND ADAEZE", INTERDISCIPLINARY JOURNAL OF AFRICAN & ASIAN STUDIES (IJAAS) VOL.10 NO. 1, Vol. 10, (Issue 1), pp 1-16 |
4 | Mary Nkechi Okadigwe, Uche Ajiwe. (2024, May), "NOLLYWOOD AND NATIONAL HISTORY: A STUDY OF NOLLYWOOD HISTORIC FILM COSTUMES AND THEIR IMPACT ON COLLECTIVE MEMORY AND NATION-BUILDING", ESTAGA: JOURNAL OF INTERDISCIPLINARY PERSPECTIVES (EJIP), Vol. 1, (Issue 2), pp 130-145 |
5 | Mary Nkechi Okadigwe & Okeke, Ikedinma N.. (2023, March), "“Exploring Trends in Music Enterpreneurship for Human Capacity Development in Nigeria: the Inherent Risks, and Management Strategies”", UJAH, Vol. 23, (Issue 2), pp 19-51 |
6 | Mary Nkechi Okadigwe. (2023, October), "Blending Eclecticism and Specificity: The Art of Nollywood Epic Film Costumes", UNIZIK Journal of Arts and Humanities, UJAH, Vol. 24, (Issue 1), pp 1-22 |
7 | Mary Nkechi Okadigwe. (2023, October), "ANDROCENTRICISM IN IGBO FEMALE RITES OF PASSAGE: AN EXAMPLE OF THE INE-EZI OF THE ANAM OF ANAMBRA STATE, SOUTHEAST, NIGERIA", PREORC JOURNAL OF GENDER AND SEXUALITY STUDIES, Vol. 2, pp 1-26 |
8 | Mary Nkechi Okadigwe. (2021, March), "Modelling Ritual and Performance for Political Change: An Examination of Igu-Aro Ndi-Umueri in Anambra State", UJAH, Vol. 22, (Issue 2), pp 108-126 |
9 | Mary Nkechi Okadigwe. (2021, June), "Verisimilitude as a Solutions for a Responsive Costume Design: A Critique of Nollywood's Presentation of Precolonial Igbo Characters in Hessian Fabrics", Nigerian Theatre Journal, Vol. 21, (Issue 1), pp 33-50 |
10 | Mary Nkechi Okadigwe. (2019, February), "ASSERTING THE DOMINANCE OF IGBO CULTURAL MOTIFS IN NOLLYWOOD COSTUMES: AN ANALYSIS OF SELECT NOLLYWOOD FILMS", Creative Artiste |
11 | Okadigwe, Mary N.,and Ebekue, Emmanuel O.. (2018, March), "Surviving Economic Recession Through The Production Of Internet Comic Skits: The Case Of Okoi Siphon And David Igwe", Nigerian Theatre Journal, Vol. 18, (Issue 2), pp 105-114 |
12 | Mary Nkechi Okadigwe. (2017, October), "Professionalism And Quackery In Costuming And Make-up For Nollywood Films: AStudy Of Royal Insult And My Loving Heart", Nigerian Theatre Journal |
13 | Mary Nkechi Okadigwe. (2017, February), "UNEARTHING COMMON UNCONSCIOUS THROUGH DRAMA: AN ARCHETYPAL READING OF TRACIE CHIMA UTOH’S COULDRON OF DEATH", Creative Artiste |
14 | Mary Nkechi Okadigwe. (2016, June), "GENDER EQUALITY AND THE NEED FOR AN EGALITARIAN SOCIETY: A STUDY OF TRACIE-UTOH'S OUR WIVES HAVE GONE MAD AGAIN AND J. P. CLARK'S THE WIVES REVOLT", New Frontiers: A Journal in the Humanities, Vol. 1, (Issue 1), pp 153-165 |
15 | Okadigwe, Mary Nkechi. (2016, ), "Semiotic Reading Of Costumes In Nigerian Video Films: African Bride As A Paradigm", Creative Artist: A Journal of Theatre and Media Studies, Vol. 10, (Issue 1), pp 82-108 |
16 | Obadiegwu, Cyprian C., and Okadigwe, Nkechi Mary. (2014, ), "Ethnic Identities Through Costuming And The Future Of The Nigerian Film Industry: A Study Of Moonlight Girl By Nonso Okonkwo And Goddess Of The Sun By Iyke Odife", AMA: Journal of Theatre and Cultural Studies., Vol. 9, (Issue 1), pp 28-42 |
| Conference Papers |
1 | Mary Nkechi Okadigwe & Chibuike M. Abunike. (2024, June), "Nollywood Costume Design as Vehicles for Sociopolitical Commentary on the Nigerian Democratic Experience: A Postcolonial Reading", 2nd Biennial Conference of the Nigerian Academy of Letters |
2 | Mary Nkechi Okadigwe, Stella Uchenna Nwofor. (2024, October), "Deconstructing Gender Norms: An Analysis of Select Nigerian Cross-dresser Skits on Social Media", CGS and CMS |
3 | Mary Nkechi Okadigwe. (2024, May), "The Risk of Cultural Assimilation in a Globalized Future: Examining the Representation of Nigerian Indigenous Clothing in Select Nollywood Films", The Association for the Promotion of African Studies (APAS) |
4 | Mary Nkechi Okadigwe. (2024, October), "Exploring the impact of digital platforms on collaborations between Nigerian and non-Nigerian musicians: the case of Burna Boy.", VAD |
5 | Mary Nkechi Okadigwe. (2023, June), "“Altering Perceptions of Sexuality in Nollywood Filmmaking and LGBTQ+ Portraiture in Nigerian Films”", European Conference on African on African Studies: African Futures ECAS 2023. 2023. |