| 1 | Nwadigwe, C.E.. (2024, October) “From Stage Space to Video Space and Back: Multimedia Performance and Audience Engineering in a Contemporary African Environment” In: The Routledge Handbook of African Theatre and Performance .Ed. Kene Igweonu Routledge, ISBN:978-1-032-00840-0, pp 186 – 200 |
| 2 | Nwadigwe, C.E.. (2024, October) “Performance Venue and the Politics of Censorship in Select Postcolonial Nigerian Theatres” in Charles Nwadigwe & Keneth Bamuturaki (eds.), Voyages in Postcolonial African Theatre Practice. Cambridge Scholars Publishers, ISBN: 978-1-5275-6755-9, pp 143-161 |
| 3 | Nwadigwe, C.E.. (2020, October) “The Media and Cultural Politics: Representations of Gender in Nigerian Broadcast Commercials” in Gboyega Kolawole & Sule Egya (eds.), A Graceful Woman of Great Discerning: A Festschrift in Honour of Prof. Mabel Evwierhoma University of Abuja Press, pp 144-165 |
| 4 | Nwadigwe, C.E.. (2019, November) “Culture and National Security: A Community-Based Agenda for Traditional Institutions” in Emeka Nwabueze and Barclays Ayakoroma (eds.), Culture of Peace and National Security in Nigeria: Critical Perspectives, Krafts Books, pp 128-142 |
| 5 | Nwadigwe, C.E.. (2018, April) “Creativity and New Technologies: Piracy, Politics, and the Business of Cultural Production in Nigeria” in Toyin Falola and Kenneth Kalu (eds.), Africa and the World: Challenges of Globalization, Governance, and Creativity, Palgrave Macmillan, pp 183-204 |
| 6 | Nwadigwe, C.E.. (2018, June) “Sex, Power and the Occult in Nigerian Cultural Production” in Joy Eyisi, Charles Nwadigwe & Luke Enendu (eds), The Teacher of Teachers: A Festschrift for Dan Uwandu. Nnamdi Azikiwe University, pp 41-60 |
| 7 | Nwadigwe, C.E.. (2014, September) Cultural Promotion and the Economics of Theatre: The Ogonna Agu Perspective”.in Charles Nwadigwe, Molinta Enendu & Canice Nwosu (eds.), Metaphors and Climax: Reminiscences on the Drama and Theatre of Ogona Agu.. Adonis and Abbey, pp 39-56 |
| 8 | Nwadigwe, C.E.. (2014, December) The Old Masters: Set Design & Udoji: Set Design” in Eric Fielding and Peter McKinnon (eds.), World Scenography: 1990 – 2005 Organisation of International Scenographers, Theatre Architects and Technicians (OISTAT), pp 201 & 369 |
| 9 | Nwadigwe, C.E.. (2014, July) African Drama Review: Sony Oti”s The Old Masters, Sam Ukala”s Akpakaland & “Zulu Sofola”s Wedlock of the Gods” in Ebele Eko (ed.), Masterpieces of African Literature, Mace Books/Sunbird Africa Media Press, pp 459-465; 478-484 |
| 10 | Nwadigwe, C.E.. (2012, March) “Duro Oni and Multimedia Approach to Stage Production” in S. Ododo (ed.), Fireworks for a Lighting Aesthetician: Essays and Tributes in Honour of Duro Oni @ 60 Centre for Black and African Arts and Civilization (CBAAC), ISBN: 978-978--51156-5-9, pp 29-38 |
| 11 | Nwadigwe, C.E.. (2011, November) “Kalu Uka”s Creation and Creativity… A Critique of the Critical” in E. Johnson and S. Inegbe (eds.), A Road Well-Conquered: Kalu Uka, Literature and Pedagogy Evangel Press, ISBN: 978-0-9566837-7-9, pp 97-113 |
| 12 | Nwadigwe, C.E.. (2010, August) “Performing Arts Technology in a Globalized Village: Imperatives for the African Theatre.” In: A. Chiegboka et al (eds.), Globalization and the Humanities in the 3rd Millennium Rex Charles & Patrick Publishers, pp 406-413 |
| 13 | Nwadigwe, C.E. & Nwadigwe, F.A.. (2009, October) “Clipped Wings: The Portrayal of Women and Democracy in the Nigerian Video-film.” In: A. Chiegboka, C. Nwadigwe & C. Umezinwa (eds.), The Humanities and Nigeria”s Democratic Experience Rex Charles & Patrick Publishers, ISBN 978-978-49416-0-0, pp 482-490 |
| Journal Articles |
|---|
| 1 | Nwadigwe F. A. & Nwadigwe, C. E.. (2024, April), "“Theatre and Albinism in Southeastern Nigeria: Centralizing the Margins in a Changing Social System”,", Interdisciplinary Journal of African and Asian Studies, Vol. 10, (Issue -1), pp 1-9 |
| 2 | Ukoha, J.E. & Nwadigwe, C.E.. (2023, August), "“Lighting Theatre Productions in Non-Conventional Spaces: When Women Go Naked and The Village Lamb as Case Study”.", Creative Artist: A Journal of Theatre and Media Studies, Vol. 17, (Issue 2), pp 85-98 |
| 3 | Nwadigwe, C.E. & Ilukwe, E.E.. (2021, September), "“Copyright Law and the Challenge of Piracy on Nollywood Business”.", Ama: Journal of Theatre and Cultural Studies, Vol. 15, (Issue 1), pp 154-165 |
| 4 | Ekwunife, T.N, & Nwadigwe, C.E.. (2020, March), "“Communicating Social and Development Issues Through Theatre for Development (TFD): A Study of Eziokwu-Bu- Ndu Project”.", Creative Artist: A Journal of Theatre and Media Studies, Vol. 14, (Issue 2), pp 132-150 |
| 5 | Nwadigwe, F.A. and Nwadigwe, C.E.. (2016, April), "Design, Technology and Human Capital: Exploring the Paradigm Shift in Contemporary Nigerian Carnival Performance", African Performance Review, Vol. 8, (Issue 2), pp 44-60, DOI: https://doi.org/10.30817/082.apr0141 |
| 6 | Nwadigwe, C.E.. and Nwadigwe, F.A... (2015, August), "We Will Think About It”: Drama, Curriculum and Transformative Learning in South-Eastern Nigeria", Applied Theatre Research, Vol. 3, (Issue 2), pp 177-192, DOI: https://doi.org/10.1386/atr.3.2.177_1 |
| 7 | Nwadigwe, F.A. and Nwadigwe, C.E.. (2014, March), "Can These Wings Fly? Dramatic Representation of Women and the Elite Syndrome in Nigeria”s Political Space", Epasa Moto: A Multidisciplinary Journal of Arts, Letters and the Humanities of the University of Buea., Vol. 1, (Issue 2), pp 137-156 |
| 8 | Nwadigwe, C.E.. (2012, August), "" “This is the Finger of Music”: Meki Nzewi and Perspectives Toward a Total Theatre in Africa"", The Anthropologist: International Journal of Contemporary and Applied Studies of Man, Vol. 9, pp 31-37 |
| 9 | Nwadigwe, C.E.. (2012, October), "Body, Space, and Technology: Interrogating Unconventionality in Postmodern African Dance Theatre", African Performance Review, Vol. 6, (Issue 2), pp 27-42 |
| 10 | Nwadigwe, C.E.. (2012, November), "Theatre for Development: An Alternative Programme for Reproductive Health Communication in Urban Nigeria", African Sociological Review, Vol. 16, (Issue 2), pp 102-118 |
| 11 | Nwadigwe, C.E.. (2010, February), "“Freedom of Speech and Expression: The Rising Voices of African-American Female Dramatists”.", Ama: Journal of Theatre and Cultural Studies, Vol. 5, (Issue 1), pp 121-140 |
| 12 | Nwadigwe, C.E.. (2009, June), "“Superfluity in Visual Design: A Technical Evaluation of Special Effects in Selected Nigerian Video-films”", Ama: Journal of Theatre and Cultural Studies,, Vol. 4, (Issue 1), pp 97 -114 |
| Conference Papers |
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